Edoardo tresoldi has unveiled simbiosi, a new on-site artwork by Art Sila - an open-air museum in Italy's Trentino Valley that weaves nature and art together. After the works of famous artists and architects such as Eduardo Soto de Mora, Kenjo Coma, Michel de Lucci, and Setasas Ituri, Trisoldi's work marks the final stage of the renaissance of Trentino Park, which reopened last spring after a storm that badly damaged it.
Simbiosi by tresoldi responds to the fallout of the storm left on the art garden. “When I first visited Arte Sila, I came across some debris along the way,” the artist comments on the book accompanying the installation. “The nature of desolation within a scene is an element that I have always found fascinating, because it is part of my lands and embodies the idea of death in architecture in the collective imagination ... Thus, given my attraction to this element, I felt that I wanted to possess it, which I did by redefining it, And rebuild it within my own world, a world made of unimportant materials and elements of my cultural and my imaginary world. "
Simbiosi focuses on the experimental perception of space and the relationship with landscape elements, and is a 5 meter long wire mesh suspended between architecture, nature and time dimension. The artwork, which appears to defy the forces of gravity, shows a turning point in the artist's development, as he, for the first time, blended the transparency of his signature with the essence of local stone. "I rebuilt the ruin, but I did it by following extraordinary rules on the matter," he continues.
Unlike traditional ruin that is defined by a process of organic degradation, simbiosi paints distortion and reconstructs the ruin structure. This piece is a reinterpretation of the surrounding landscape through intentional connections between architectural and natural elements, whose constant exchange defines the aesthetics, meanings, and logic of the sculpture. Through architectural paradigms, Trisolddi interprets ruin not as an expression of our victorious humanity - as monumental architecture does - but as one of human fragility.
In general, simbiosi responds to the human need to understand and analyze everything. It embodies our primitive profession of fusion with the natural element, and at the same time to interpret it; The need to become part of the landscape and to represent it according to the symbols that belong to it.
Over the years, you will see simbiosi nature slowly growing on it, defining a new architecture, becoming part of the arte sella tapestry and eventually blending into the park.
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